Rewriting

Through the past year, I've learned a lot about myself and about writing. I've learned that there are times when I need to dive into a little more detail and there are also times where I can be long winded. I've slashed thousands of words out of my work since I began, but sometimes thousands just isn't enough. I also believe I've found my place in the writing world. On more than a handful of occasions, I've been told I tend to write more as a story teller. That may seem like a general term for a writer, but I believe it's not. Sometimes people write simply to inform you on certain events so that you know what happened. Other writers, story tellers, take you by the hand and let you walk with them as they lead you down the very same road it feel that they once took. So often I am asked if the events in my book are real because of the way I've written them. For many, it feels to them as if I am presenting to them a glorified anecdote and calling it a book chapter. I am ok with that.

It is for that reason that I am going through my previously released works and rewriting certain portions of them. Obviously, even after going over them countless times, there are still a few piece of the books that simply do not flow as well as I want them to and even a handful of grammatical errors. From my very first serious work to Rumbling Heart to my latest release Emily Martin, my style has morphed and become something very different that how it originally started. I've discovered my shortcomings and taken hold of my strengths. For this reason, I have decided to take on a simpler, story telling approach to my work from here going forward. In the first book, there is quite a bit of story telling, but I believe I made certain instances far more complex than they needed to be from a grammatical perspective. For this reason, I am sure that RH will go from about 220k words to something a little smaller; maybe about 210k. Still quite large, but smaller and still telling the exact same story. At one time I was going for more of a Hemingway type approach and style, but it seems that many of her techniques died with him all those years ago as some of my critics are calling portions of the work "old" when it comes to style. It was for this reason that I tried what I did with Recorded Butterflies. I took on a very different perspective with this work and I think i did alright. It still wasn't exactly what I was wanting to do, but I did it.

The latest book Emily Martin is the one I am the most proud of. I found my strengths with this book and I was able to really connect with my Emily character as she tells the story. While I felt I was almost one in the same when it came to my character John, it turns out that I was more in sync with Emily and the way she saw her life and handled her station in life. It was obviously not the way she grew up or the life she lived, but it was more of the place she found herself as an adult. The feelings that she had kept pent up inside her were something very close to my own so I was able to really speak from her perspective. I will make updates to this work as well, but only for the sake of continuity. Even after the release of my final work in the series, I think I will still be most proud of Emily because of the way I was able to convey my feelings through that character.

That being said, I have work to do.

 

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